This British dame is the only person to win an Oscar for both acting (for her housekeeper role in 1993’s The Remains of the Day) and for a screenplay (for her 1995 adaptation of Jane Austen’s Sense and Sensibility). She’s a shapeshifter, for sure, also playing the kooky Sybil Trelawney in the Harry Potter franchise and the cheated-on wife and prime minister’s sister in Love, Actually. She has always struck me as so honest and real—ever more so at 60 (like me).
I seek women of my age or stage who look cool and proud and smart and stylish and modern. I imagine they recognize one or more of these qualities in me and we acknowledge each other as we pass, silently. ‘I see you, lady!’
A blog post from The Ladders about “What 50 year-olds Know That 20-year-olds Don’t.” I object only to the photo of a woman who’s, like, 80, which makes me suspect that someone who’s, like, 20, chose it. Also, these two are just not helpful.
- “You’re probably a lot smarter than you give yourself credit for being” (notable exception: our stable genius of a president)
- “It’ll all work out” (It will. But that doesn’t mean I will like it.)
Playbill reports that actress Carol Channing turned 96 this week and, by the looks of her, she’s sticking with her winning style: tousled silver bob, foot-long lashes, big red lips, a dress like a disco ball. I was about to write that I best remember her in “Thoroughly Modern Millie” but in skimming the libretto, I recall none of this: devil-may-care paperclip salesman? ‘several white girls tied up to be sent off to Peking?’ And somehow all of this adding up to ‘the happiest motion picture hit of the year?’ Funny, too, how Millie is thought of as “modern” when she takes a job of a stenographer, then marries a millionaire.
Regardless, many happy returns Miss Channing!
I don’t know Linda Rodin, except for what I’ve read on Goop. The profile is as breathless and overstated as you’d expect from a pro-woman web site. To clarify, the sites and their intentions are good, but the boss-lady profiles tend to bog down in superlatives. Here’s the first sentence, awkward in its girl crush: “There’s lit-from-within in the “glow” sense, and there’s lit-from-within from the standpoint of visibly, joyfully vibrating with energy …”
The thing is, Linda Rodin just seems cool and natural and a little chary in her responses to questions about her slim build and good skin. “Everybody sees these pictures of me retouched. I don’t look like that! People say, you look so great, but I mean, we’re not having lunch together, that’s not how I really look,” she says.
Here’s how she looks:
Rodin has a skincare line called Olio Lusso, from which I have a tiny bottle of skin oil. If it would help me look like her at 68 and, most especially, be that cool, I’d buy it by the barrel, along with a tube of lipstick called Billie on Her Bike, because the name’s so, so good.
Carmen Dell Orefice is billed by this Fortune article as the world’s oldest working model (Baddie Winkle might have something to say about that). Her looks are confectionary: flossy platinum hair, doll-like features, painted-on lips and a complexion like wedding cake icing. Nearly 100% artifice, at least in her modeling photos, which is all we ever see.
She’s looked exactly like this for decades — same gravity-defying white hair, same placidly arrogant expression. But as a young model she was an extremely interesting-looking beauty, an Italian girl, which is to say ethnic for that time.
Almost disqualified because she is French (which is cheating), Isabelle Huppert was among the most self-possessed of women at the Golden Globes last Sunday. She doesn’t look “young” or even “young for her age.” Rather, she looks just right: slender, chic, the product of diligent self-care and groomed without looking calcified, which is sometimes the case with older American beauties.
Saw this movie on a chill, dark day, snow falling softly, the first of the year. Likewise, the movie was quiet and dark, nothing to inspire a flare of awe or any kind of feeling in me, actually—just a story of two people in underlit rooms, and, they learn, an underlit marriage, even on the eve of celebrating its 45 anniversary.
I looked longingly at Charlotte Rampling. C’mon, you’re a beauty. Dazzle me! You play a deeply intelligent and proud character! Surprise me!
But she refused to be a circus monkey, entertaining on command. Laudably, I suppose. Her gaze was obscured by heavy lids. She wore unflattering cotton shirts and ill-fitting jeans. She smiled wryly at times but otherwise seemed joyless. Again, commendable that she stayed true to the appearance and mood of her character. Here, she is in the prime of her beauty, without the gloss and glamour typical of the film stars of her day.
Why A Nude Photo Session in Your 50s Is Not Such a Bad Idea After All
If you get those Living Social emails, you surely have received offers of discounted “boudoir photography” sessions. While I like a deal as much as the next underpaid editor, I’ve always viewed them as a spectacularly bad idea.
Take off your clothes for some stranger in a second-floor studio on Canal Street? Not sure I want to live that social.
Delete. (Come to think of it, this pretty much describes my Living Social bikini wax experience, but I’m almost positive there were no cameras involved.)
Another reason boudoir photography has held no appeal: Mine is not a body built for the boudoir. Not that I’ve ever, knowingly, visited a boudoir, but I’m pretty sure the ladies you’d find there would be womanly, curvy, Rubenesque. By contrast, I possess super-sturdy legs, broad shoulders, narrow hips and a not-narrow waist. I have what I call a Man Back which makes for a bra size that starts, alluringly, with the number 36, only to be followed by a demure “A.” Practically a Man Front, in other words, at least above the waist.
I know in describing my body I’m revealing my body image as well, but the truth is …
There’s nobody more beautiful than Sophia as a young woman — the very archetype of the Italian bombshell.
As with so many icons, Sophia is being celebrated at age 81 — and employed, with a Dolce & Gabbana lipstick all her own. But the signs of extensive work she has had done make it hard to look at her: the beestung lips, the waxy cheeks, the drag queen makeup. I’m conflicted.